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"I want in on the scam," she said, "so I can get out. These questions were quickly answered as she overheard Tulio and Miguel reveling in the fact that the citizens of El Dorado thought they were gods. I was intrigued: who was this woman? Why did she steal the thing? What was she trying to escape from? When the pair reached the lost city, they were met by a woman with a stolen object and curvaceous hips. There's nothing wrong with an innocent butt. I was also taken aback by their two naked butts running through the jungle, but OK. I was sure he would have a change of heart by the end of the film and realize the value of friendship and such, so I wasn't too concerned. The only reason he went along with Miguel to find the city in the first place was so that he could steal its gold. I was really liking Miguel as a character he was an innocent adventurer while Tulio was greedy and conniving. The horse on the boat thing was humorous, and I loved the two men's dying confessions as they thought they'd never reach shore. But anyway, I thought they had a really good set-up here: two con men (something relatively strange to kid's movies) lie to obtain a goal, get caught in their lie (that's right kids: lying is wrong!), and must play off each other to escape (ah yes, humor and action!). It would have been a lot better if they had actual Spanish accents, in my opinion, or at least all the same accent. I was laughing within the first five minutes, although I was a bit put-off by Miguel's inexplicable British accent and Tulio's oddly American one. I liked Miguel, with his outlandish facial expressions and intense strumming. I thought the animation was a bit less fluid and detailed as Disney's, but it wasn't a huge issue. That is, until, at the age sixteen, a funny textpost on tumblr made me decide to rent "El Dorado," just for kicks.Īt first, I had a pretty open mind. Films like "Prince of Egypt," "Anastasia," and "The Road to El Dorado" were passed off as "dumb copies." So I never saw them. Alan Menken provided the soundtrack to my life, with Phil Collins as the opening act.
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I was fed a steady diet of love stories and inspiring quips and heartbreaking death scenes. I was raised on images of mermaids and gorillas and talking candlesticks. I'd seen gifs of the guitar-strumming scoundrels on tumblr, and heard my friends talk about it as one of their favorite childhood movies, so I wondered why I wasn't in on the little DreamWorks animated adventure called, "The Road to El Dorado." Growing up, my parents had a strict Disney-and-Nick-Jr.-only policy. Which Side of History? How Technology Is Reshaping Democracy and Our Lives.Cómo saber si una aplicación o sitio web son realmente educativos.
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